Instead of Redface: Resources for Teaching Indigenous Theatre

Project lead: Prof. Jen Shook (Assistant Professor of Theatre, Dance, and Performance Studies)

Vivero Fellow (Fall 2025, 2026-2027): Isaiah Schlimm

Vivero Fellow (2024-2025): Regann Fishell

Link: https://insteadofredface.org/

The primary goal of the Instead of Redface project is to provide a collection of materials to support informed teaching and learning about Indigenous performance, especially 19th century – 21st century theatre, within the borders of what is now known as the United States. Later iterations may have a larger scope and add different formats. In ’24-25, the Vivero Fellow worked on building a WordPress site through Reclaim Hosting. In 2026-2027, we are considering how such a resource could relate to developments such as the Native Theatre Movement and a November 2026 gathering of scholars of Native theatre and Native theatre artists in Minneapolis.

Draft goals of the project long-term: 

  • Provide links to already-existing articles, videos, blogs, photos, audio, etc useful for college-level courses studying Native American plays and playwrights;  
  • Host such resources that need hosting with permission of creators;  
  • Connect with collections that contain performance history materials of productions;  
  • Connect to other conversations about supporting Native theatre and its study—for example, WikiEdu scholars’ projects, HowlRound digital commons, the Native American Women Playwrights’ Archive (NAWPA);  
  • Digitize and organize items such as the Native Playwrights’ Newsletter;  
  • Perhaps allow contributors to curate collections of materials (akin to the teaching space of the Colored Conventions Project and HowlRound Digital Commons);  
  • Encourage courses to create and contribute dramaturgical guides, production process materials, artist interviews, etc.
  • Document related scholarly gatherings – I work with a collective of scholars who are hoping to host a symposium or series of meetings in upcoming years, either at NAPWA or elsewhere. 

 

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